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FOUR
PIECE Keyop - Chip, Tab, Rick and Jonny Special -
are on their way. A cross between Frank Zappa,
Massive Attack and Ultrasound, they have a single
ready for release on Too Many Cooks - the label
owned by Aiden from Arab Strap - while their
recent releases on the flexi:POP label have been
attracting the attention of a number of big
record companies and alternative and college
radio stations around the country. Since their
appearance as a tip band in CMU they've been
Record of the Week in the Big Issue, there's been
good words about the band in Melody Maker et al,
and interest has continued to grow in the
industry. And despite the recent, and somewhat
acrimonious, departure of their drummer they are
now busy writing material for their debut album.
So Keyop,
where are you coming from?
We're definitely a pop band ... the root of our
music is essentially guitar, but then we like to
add some more. We're not really going out of our
way to be awkward though - to be all avant garde
- the whole premise for us is to keep everything
as simple as possible.Are you trying to deliver
messages through your songs?The lyrics aren't the
main concern for us. If I was to go through the
lyrics of one of our songs we could probably get
the meanings back, but there's no strong
political meanings there, or anything like that.
With us its music first and then the lyrics.
There's
been a lot of big label interest in you - how
does that feel?
It was great when Aidan from Arab Strap got in
touch about doing a release through his Too Many
Cooks label - that's a project that will
hopefully come into fruition soon. Other labels
have shown interest too, but we're happy on the
independent route just now - working with our
label Flexi:POP. To be honest, I'm not too keen
on walking the corporate path. That said, Keyop
is not just a joke project, you know. We really
would like to make enough money to focus
completely on the band - to stop having to
squeeze in the day jobs around the band.
Would you
make any concessions for a commercial deal?
Well, we'd go topless if it was artistically
necessary!
How did
you lose your drummer?
We started off relying on a drum machine for our
beats. Then we took on a drummer - but he was
much younger than us and it didn't really work -
it all got very tense. Don't get me wrong, he was
a nice bloke and all that, but his younger mates
were more his scene. It all came to ahead when we
played the Ashton Court festival in Bristol. We
had a word him before the show - we asked him not
to dance when he wasn't drumming. But he ignored
us and got carried away - Tab got so annoyed he
swung his guitar at him. It made for a very
dramatic set, but wasn't practical, so we've
parted ways and, for the time being, its back to
a drum machine. It works well. Some people say
our set is even better with a drum machine.
Aside from
the bust up, how was the Ashton Court event?
Well, playing there was great - it's a huge
event, allegedly the largest free music festival
in Europe. And at the end of our act we threw
pizzas into the crowd, which seemed to go down
well. People were sitting there eating them -
which was pretty mental! We intended them to
splatter.
And how do
the rest of you get on?
We've all got obsessive personalities, that's for
sure. And we all have really different
personalities - we're in little worlds of our
own. But generally we work well as a team. Having
said that, we do argue a lot - normally about
really petty things, the silly things. But, at
the end of the day, the rest of us are happy as a
band.
So what's
next?
Lot's of singles leading up to our first album.
We've amounted so much material - we've easily
got enough for one shit hot short album, and a
couple of neat b sides. And we've got a new song
called 'Keyop Lose A Drummer!' ... no really! As
soon as we get the opportunity we'll be getting
that album made.
And any
live stuff planned?
Yeah, we've got a London gig planned, and a few
more local nights. We're a Bristol based band,
which isn't great. Bristol's a lovely place, but
perhaps it's too lovely. The gig going audience
isn't huge. Some great bands come here, but they
don't get the support they deserve - that arc of
indifference is really bad here. And it's
difficult to get Bristol people to come to noisy
gigs when you're small ... playing to an empty
room is actually nervewracking. Things are
getting better, though, as we get more
established. The last three or four gigs have
really seen us open up, and the London date
should be really good.
With or without
someone on drums Keyop are worth a look in. So
get yourself a copy of their CD, try and check
out a live date, and keep a look out for their
name.
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